As an ancient cultural and cultural landscape of the famous city of Nanchang in Jiangnan, the Badashan Memorial Hall has its unique natural style and historical significance. With people's thirst for authentic calligraphy and painting of the Badashan people, in 2009, the Nanchang Municipal Party Committee and Government designated the renovation and expansion project of the Badashan People's Memorial Hall as one of the "Three Major Projects" key construction projects in Nanchang, with a total investment of 77 million yuan. After the renovation and expansion, the Badashan People's Memorial Hall covers an area of 40 acres from the original 20 acres, surrounded by water on all sides, and seamlessly integrated with the Meihu Lake in the southwest. Among them, the Museum of Authentic Works was completed in January 2011, with a total construction area of 3981 square meters. Its architectural style is modern, abstract, implicit and simple. It is an elaborate work by Mr. Qi Kang, an academician of the CAS Member and director of the Institute of Architectural Design and Research of Southeast University. It mainly displays the authentic calligraphy and painting works of eight mountain people and famous families of all ages. The museum integrates high-tech display equipment and modern museum management concepts, breaking through the old and outdated collection and display functions, adding new thinking and concepts, and exploring platforms for publicity, research, communication, and creation. On the basis of a systematic and orderly exhibition of authentic calligraphy and paintings of the Eight Great Mountains and the works of modern and contemporary art masters, it provides a broader artistic exchange environment for people.

The authenticity exhibition hall is surrounded by water on three sides, resembling a peninsula. Combining the beautiful geographical environment and the design concept of "people-oriented", the overall building is symmetrically arranged along the axis. The hall is a two-story frame building, combining modern architectural style with classic Huizhou style residential buildings. The overall color is mainly gray and white, reflecting the "yin and yang" of Taoism. The three square four slope roofs echo the old site of Qingyun Pu. The collection facilities all adopt the latest technology in the construction of historical and cultural relics exhibition halls. Each area is subdivided into authentic exhibition halls, temporary exhibition halls, famous calligraphy and painting exhibition rooms, calligraphy and painting creation rooms, cultural relics warehouses, cultural relics restoration rooms, security control centers, VIP reception rooms, security personnel office rooms, etc., with a usage area of 3180 square meters, reasonable spatial layout, strong functionality, and can host international standard calligraphy and painting art exhibitions. The Badashan Man Authentic Exhibition Hall, relying on the enormous influence of Badashan Man in international art history, will be another new architectural image with local characteristics and historical significance in the ancient cultural and cultural landscape of Nanchang.

The memorial hall has numerous authentic works of the Eight Great Mountains people. Among them, the "Ink Lotus Painting", "Two Eagles Painting", and "Solitary Pine Painting" are all representative works. In addition, the museum also houses the works of renowned painters such as Shi Tao, Xu Wei, Huang Shen, Zheng Banqiao, Wu Changshuo, Qi Baishi, and others in the history of painting.